Read more about the article #183 e Bond: Bookbinder, Designer, and Writer
e Bond book artist

#183 e Bond: Bookbinder, Designer, and Writer

e Bond is a book artist who has been inspired by her walks in the woods in the many parks where she lives. Eight years ago, she came to California to get her MFA and has remained ever since. She makes books, fine art, and sometimes adds poetry to her works. She recently completed an artist residency near her home. When we’re not social distancing, she teaches book arts classes in person, but for now, you can find her classes online.

Listen here or download from iTunes, Spotify, Google Play Music, CastBox, or Stitcher.

artist e Bond in the woods

e Bond

hand sewn books
hand made artist book
artwork by e Bond
artist e Bond
book by artist e Bond
e Bond book artist
books by e Bond
book by e Bond

Where You Can Find e Bond

e’s website is ebondwork.com.

Instagram: @eisroughdraft

These are the hashtags for her 100 Day Projects:

#100questionsworthasking

#100mapstoanywhere

#100stepstowardacento

#1tree100trees

#roughdrAftBOOKOTD16

#asentenceinasquare

Here is the link to her online classes on Creative Bug.

She is featured in the book by Andrea Pippins called We Inspire Me.

You can follow Karen Ward on Instagram to find out when she’s doing her Curiosity Summer Camp again.

Here are some great takeaways from our conversation:

  1. When e is thinking about her next art project, she makes sketches and writes down her ideas. That’s just what works best for her in the planning stage. But because she does this, she has a paper trail of the process and how she’s gotten to the end product. It’s also helpful to have this paper trail when she’s teaching art to others.
  2. Art doesn’t have to be inspired by something profound. It can be as simple as a little doodle you made or a leaf you noticed on a walk.
  3. e likes doing freelance design work for others because once they’ve given her their ideas and parameters, then she has all her creative energy left to execute the project. She hasn’t used up her creativity yet coming up with ideas.
  4. In e’s shop on her website, she’ll occasionally dump large amounts of her art and put it for sale. She does this about 3-4 times a year, and it may be 30-60 artist books at once. This is a great way to build up interest and anticipation in your art, especially if you promote it a few weeks ahead.
  5. e has participated in the 100 Day Project for about five years. A 100 Day Project is a project of your choosing that challenges you to keep up with it for 100 days, even if they’re not in a row. This is a great way to try something new or to develop a daily practice. She posts hers to Instagram and keeps track of them by giving them a unique hashtag.
  6. e told us about the month-long residency she’s doing. Art residencies can be used to concentrate on one art project without every day distractions. Usually when you apply you have to submit a proposal for what you’re doing, but your project is completely designed by you.
  7. Most residencies end with a reception where the artists can show what they’ve made. e said that her residency will be doing an outside reception, and small groups can take turns going inside to see the art. That’s a nice compromise during social distancing time that will allow people to see an art exhibit.
  8. There are many ways you can teach online classes. e teaches through the website called Creative Bug. They host her classes, so her classes are accessible to thousands of students.
book artist e Bond
Read more about the article #182 Tracy Weinzapfel: Artist, Art Educator, and Community Builder
Tracy Weinzapfel

#182 Tracy Weinzapfel: Artist, Art Educator, and Community Builder

Tracy Weinzapfel is a mixed media artist in California. She has worked with many companies as a designer and art educator. Tracy’s also the creator of the artist community called Your Artful Journey. Her community provides classes, prompts, and challenges for its members. She also interacts through Facebook Live events and has a full library of videos on YouTube. 

Listen here or download from iTunes, Spotify, Google Play Music, CastBox, or Stitcher.

photo of artist Tracy Weinzapfel

Tracy Weinzapfel

journal page with flowers
journal page from Tracy Weinzapfel
painted wine barrels
artist Tracy Winzapfel
Tracy Weinzapfel
Tracy Weinzapfel journal page
Tracy Weinzapfel journal page
Your Artful Journey community

Where You Can Find Tracy Weinzapfel

Tracy’s website is yourartfuljourney.com

Instagram: @twstudios.com

Click on this link to go to her Facebook community: Art Journaling with Tracy Weinzapfel

Her YouTube channel is Tracy Weinzapfel Studios.

Click on this link to get her free guide “Five Keys to Artful Journaling.”

Here are some great takeaways from our conversation:

  1. When Tracy was looking to get back into art, she started with a journal, and a small amount of art supplies she could take with her. This allowed her to try out techniques whenever she wanted.
  2. She’ll also work on a journal page for a short amount of time, maybe 20-30 minutes. That way she can feel like she’s finished something and she can move on to something else.
  3. Make sure you use the art supplies that you’ve bought. Don’t treat them like they’re too precious to use – just go for it and make something with it.
  4. Tracy has partnered with someone who can take on a lot of her business tasks. She referred to it as a partnership. If you’re doing something like that, make sure to make it official and spell out what each one of you will be doing. As she pointed out, it’s her name on the business no matter who does what, so she ensures that everything will be done that represents her properly.
  5. One aspect of the community Tracy has created is the Facebook Lives that she does every week. She offers a free Facebook group that anyone can join, and you can watch her events, comment during them, make art while you’re watching Tracy make art, or watch the recorded version later.
  6. She also has a monthly membership community that has their own private Facebook group, and she offers videos and opportunities to create together and ask questions. She regularly schedules these events. The members can also look at a backlog of all her previous events.
  7. I asked Tracy why she doesn’t allow people to join her membership any time of the year. For example, right now, it is closed to new members but you can get on her waiting list and be the first to know when she’s opening up the membership again. She said that she likes to do 1 or 2 launches a year. That way she concentrates on getting new members during a short period of time, and the rest of the year she can focus on making great content for the members.
  8. Tracy makes sure that she includes content for beginners as well as advanced artists, plus artists who want to make a business.
  9. Tracy gets ahead of things by mapping out content for many months into the future. She also finds that she gets ideas from her members for future content.
Read more about the article #181 Jeanne Oliver: Art and Business Online Workshops
Jeanne Oliver

#181 Jeanne Oliver: Art and Business Online Workshops

Jeanne Oliver is a teaching artist based in Colorado. She offers hundreds of art, business, and lifestyle workshops on her website. Some classes are by her, and some are by over 75 other artists. She advises them on how to film and edit their classes, but to also make it in their personal style. She’s found that online classes are doing very well right now, because people are wanting to get an escape and take a fun art class in the comfort of their home. With all that she does, she’s found a way to integrate her loves of art, travel, home, and family.

Listen here or download from iTunes, Spotify, Google Play Music, CastBox, or Stitcher.

photo of Jeanne Oliver who teaches art workshops

Jeanne Oliver

Where You Can Find Jeanne Oliver

This is Jeanne’s website: jeanneoliver.com

Instagram: @jeanneoliver

Click on this link to go to her Facebook community: Jeanne Oliver Creative Community

To search for courses on her website click here.

Here are some great takeaways from our conversation:

  1. Don’t limit yourself to one kind of art or one thing in your business. If art and homemaking and fashion appeal to you, then include all of those in your business offerings.
  2. If you offer online classes, and your students are asking for another specific class that isn’t necessarily in your expertise, then consider inviting other artists to host classes on your website with a class that your students want.
  3. When you want to work with other artists, start out with asking your friends first. You already have a relationship, and they’ll definitely want to see you succeed.
  4. When offering an online class, it’s a good idea to offer to your students a period of time when they can interact with the instructor. It can just be for a month, and after that the students can work at their own pace. If you offer the class a second time, like maybe a year from now, you can decide then if you want to offer access to the instructor or make it entirely self-paced.
  5. Many artists offer their classes as life-time access now. That means the student can go back and look at the class any time after they’ve purchased it.
  6. Jeanne offers the classes on her website individually, meaning you just pay for whatever class you’d like to take. Other websites offer a membership to their site and you get access to all of the classes. You’ll have to look at the merits of each if you want to set up online classes.
  7. I’ve said this before about online classes: It’s a great idea to offer a Facebook group to go with your class so that the students can interact with you, but also so they can interact with each other and share what they’ve made in the class.
  8. Jeanne offers some free classes on her website for many reasons. One is that she knows that people want to see what you’re like and what your quality is like. You can also show people what you’re like during Facebook Live sessions.
  9. When deciding how to do your first class, of course you can look at others for ideas on how to film it. But make sure you keep it your own style: If you paint on a table rather than an easel, then do your class that way. If you’re more comfortable with the camera on your hands rather than your face, then film it that way.
  10. When launching your first course, ask your artist friends to tell people about it too. Take advantage of the goodwill that you have with each other from previous collaborations and ask them to help you with your launch.
  11. Collaborations with other artists can help to bring energy and passion back into your business. A collaboration could be working with someone to do a portion of your business that you’re not skilled in, or that you just don’t want to do, like video editing or taking photos of your art.
  12. Jeanne mentioned that she tries to share on her social media more than just what’s for sale. She wants to show them more about herself and her home and her life, so that they are interested in her, and later they’ll get interested in what she sells.
  13. Jeanne was able to do a small in person workshop recently with some key changes. She had less participants, they were spread out and stayed in their own spaces, and she sanitized all the areas.
Read more about the article #180 Sheila Arora: Intuitive Abstract Painter
Sheila Arora intuitive abstract painter

#180 Sheila Arora: Intuitive Abstract Painter

Sheila Arora is an intuitive abstract painter from the Chicago area. She does a beautiful job of explaining her process, including how she chooses colors and how she develops her composition. A true Left Brain/Right Brain creative, she has worked for years in the area of finance, all while painting and developing her abstract style. She has shown her work in a Chicago gallery, and has shared her art with her thousands of Instagram followers. We also talk about studio space, the materials she uses, and the different substrates she uses to paint each of her collections.

Listen here or download from iTunes, Spotify, Google Play Music, CastBox, or Stitcher.

Sheila Arora intuitive abstract painter

Sheila Arora

This is Sheila’s website: skarora.com

Instagram: @sheilarora

Facebook: Sheila Arora

Here are some great takeaways from our conversation:

  1. Don’t limit yourself to certain colors if many speak to you. You can always do different series for your different color palettes.
  2. Mark making is a way to add more interesting elements to your paintings. It can be done with many different tools and materials.
  3. Art journals are a great way to try out new techniques, color combinations, and designs. They’re not as big a commitment as it would be when painting on a canvas. They’re also a great way to tap into your feelings because you’re free to do whatever you want in it.
  4. Art journals can be any size you want. Sheila has been using one that is a spiral-bound pad of 14” x 17” paper. Try out a few of them to see just what type you’d like.
  5. Sheila also paints on really large papers, currently 4’x5’. She’s found an easy way to paint on paper that large is to thumbtack it to the wall.
  6. She also noted that you don’t have to have a perfect studio or tons of supplies to make art. She just needs a little space, and even if she just had only a couple of colors, she could still make art.
  7. Sheila has found she gets a lot of Instagram engagement when she does Instagram Lives. You can also easily add music to your videos to make it more interesting.
  8. She also utilizes something new in Instagram called Instagram Reels. That just launched in August. It’s a way to create fun multi-clip videos with audio and effects. If you can’t find it by clicking on the camera in Instagram, it may be that it hasn’t been rolled out to your account yet. Make sure you have an updated version of Instagram, and eventually it will come to you.
  9. It’s a good idea to paint collections, so you have similar works that can be displayed together. Sheila makes about 30 paintings for each collection, and they will be on the same substrate and similar size.
  10. Sheila believes that if you lean into your intuition when making art, you’re able to get past overthinking a piece and you get into the feeling of a piece. Again, this is something that will come to you the more you practice and make more art.
  11. Sheila knows a painting is done when the composition looks complete and the colors are balanced. This may not seem like a specific answer, but it makes sense to me. You’re doing the painting, and you will know when it feels done to you.
  12. A new material Sheila has been using is Liquitex Acrylic Inks. They can give a thin translucent layer on top of your acrylic paints, and can be dropped or brushed on. You can also mix them into your other paints to create a new tint.

#179 Jen Jovan: Mixed Media Artist and Malarkey Maven

Artist Lindsay Ostrom started her art career as a retail shop owner who specialized in craft supplies like paper and rubber stamps. As the art trends changed, so did she, and she evolved into a scrapbooker and a lettering artist. Just since the pandemic began, she has brought her artwork to a large Facebook community, and she creates art with them every morning. She’s published many books and has quite a few online lettering art classes.  

Listen here or download from iTunes, Spotify, Google Play Music, CastBox, or Stitcher.

Jen Jovan

This is Jen’s website: jenjovan.com

Instagram: @jenjovanwalls

Facebook: Jen Jovan Walls

You can also find Jen’s artwork on artfinder.com and prints on Fine Art America.

Here are some great takeaways from our conversation:

  1. Art journaling is a great way to get into art. You can be messy and work on small pages, and if you don’t like it, you can move onto another page.
  2. Jen takes new classes about every quarter so that she is always learning and developing her style.
  3. When Jen first got her art into a gallery, she showed them that she was willing to work hard and help in the gallery to earn her spot there. Helping at the gallery is also good because you can learn new skills, like how to place art around the room and how to hang it.
  4. Jen has done an artist residency at a gallery in Ireland two different times. She’s found that galleries in other countries will offer residencies with a place to stay in exchange for helping at the gallery. That’s a great way to do some world traveling, that is, when we can start traveling again.
  5. We talked about the importance of putting a title on your art. Jen feels that if the title is quirky, or emotional, or deep, it will grab someone’s interest and they will want to see more.
  6. Jen feels it’s very important to be brave in your art. Do what you like to do and put it out there, even if it’s not the best. She will show everything she does because the more she puts out there the braver she gets. She’s also letting others know that it’s ok to be vulnerable and brave.
  7. Just like brick and mortar galleries, online galleries each have a distinct style and culture. You may have to try out a few to see which one works best with your art.
  8. We are doing so many things distantly now, it’s a great time to contact another artist and propose a collaboration. Jen has done that with some authors, and she has provided illustrations for their books.
  9. When collaborating with someone, it’s important to lay out the plan of who does what and how you will split the sales. You also need to make sure you are all marketing the product in the same way, so there is one voice.
  10. Jen has put about 90% of her art in online sales. That saves her on the hustle of doing markets and shows. She’s also switched from galleries to smaller boutique locations. That gives her a larger split of the sales so it has increased her income.
  11. We also talked about how important it is to take good photos of every piece of art. Even if you sell the original, you can sell prints at a lower price.
  12. Jen paints figures, and creatures, as well as abstracts. There’s no reason to limit yourself to one style, if that’s what you want to create, because you will find buyers for all.